Utilizing this unique style, he appeared on multiple live Davis albums, including Black Beauty: Live at the Fillmore West, and Miles Davis at Fillmore: Live at the Fillmore East. In concert performances, he frequently processed the sound of his electric piano through a ring modulator. In 1968, Corea began recording and touring with Miles Davis, appearing on the widely praised Davis studio albums Filles de Kilimanjaro, In a Silent Way, Bitches Brew and On the Corner, as well as the later compilation albums Big Fun, Water Babies and Circle in the Round. Two years later he released a highly regarded trio album, Now He Sings, Now He Sobs, with drummer Roy Haynes and bassist Miroslav Vitous.

He recorded his debut album, Tones for Joan's Bones, in 1966 (not released until 1968). He quit both after finding them disappointing, but remained in New York.Ĭorea began his professional recording and touring career in the early 1960s with Mongo Santamaria, Willie Bobo, Blue Mitchell, Herbie Mann, and Stan Getz. He eventually moved to New York City, where he studied music at Columbia University, then transferred to the Juilliard School. He enjoyed listening to Herb Pomeroy's band at the time and had a trio that played Horace Silver's music at a local jazz club. Given a black tuxedo by his father, he started playing gigs while still in high school. Rose Scarlet Lancers, a drum and bugle corps based in Chelsea. He also spent several years as a performer and soloist in the St. A notable influence was concert pianist Salvatore Sullo, from whom Corea started taking lessons at age eight and who introduced him to classical music, helping spark his interest in musical composition. When he was eight, he took up drums, which would influence his use of the piano as a percussion instrument.Ĭorea developed his piano skills by exploring music on his own. Surrounded by jazz, he was influenced at an early age by bebop and Dizzy Gillespie, Charlie Parker, Bud Powell, Horace Silver, and Lester Young. His father, a trumpeter who led a Dixieland band in Boston in the 1930s and 1940s, introduced him to the piano at the age of four. He was of southern Italian descent, his father having been born to an immigrant from Albi comune, in the Province of Catanzaro in the Calabria region. Armando Corea was born in Chelsea, Massachusetts, to parents Anna (née Zaccone) and Armando J.

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